Designed and produced by Mr. Brian Morris in Washington state, The United States of America, during the Spring of 2020.
The typography is always the most fun, most difficult, and most rewarding part of bringing a project together—at least a project like this.
Pack my box with five dozen liquor jugs
EB Garamond
The body copy is EB Garamond, which, like Stempel and other Garamonds, is based on the Egenolff-Berner specimen. This one is an open-sourced variant of Claude Garamond’s humanist typeface from the mid-16th century, designed by George Duffner and served by Google Fonts.
The quick brown fox jumps over a lazy dog
Inter Bold
The headers and interface are set in Inter, formerly Inter UI, designed by Rasmus Andersson. It’s recently available on Google Fonts, but I’m using his latest variant served from GitHub’s servers with the extra glyphs, stylistic sets, and other OpenType features. I really wish Google Fonts would enable OpenType features. Anyhow, I love how versatile and legible this font is—big, bold headers with round tittles (not a fan of squares), and super-crispy at tiny sizes.
Jackdaws love my big sphinx of quartz
IBM Plex Mono Italic
For metadata like captions and attribution, I’m using IBM Plex Mono, designed by Mike Abbink and Bold Monday for IBM, also served from Google Fonts.
And thanks to Mary Norris, a.k.a, the Comma Queen, for sharing her Blackwing 602 pencil obsession with everyone. After reading Between You & Me, I hopped on the bandwagon—I’ve really enjoyed using the long point 602s.
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