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July 21, 2020
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4 min read

Moon disaster

Sci­en­tif­ic Amer­i­can1 mag­a­zine pro­duced a doc­u­men­tary film, “To Make a Deep­fake,” on how an M.I.T.-led project, In Event of Moon Dis­as­ter, tells an alter­nate his­to­ry of the Apol­lo 11 mis­sion.

Back in the sum­mer of 1969, there was a back­up speech pre­pared for Nixon in case the Apol­lo 11 mis­sion failed. Three days before launch, Pres­i­dent Nixon’s speech writer, the leg­endary Bill Safire wrote:

The team at M.I.T.2 used this speech and avail­able deep learn­ing tech­nol­o­gy to syn­the­size an entire­ly fake news nar­ra­tive around this, until-now, unused speech. I think the results are con­vinc­ing, in a fas­ci­nat­ing and fright­en­ing way. The grainy look and feel one would expect from a news­reel from 1969 con­tributes to the con­vinc­ing nature of the syn­thet­ic ele­ments. But, wow, Nixon comes back to life in front of my eyes!

It reminds me of back in the mid-90s dis­cov­er­ing what Pho­to­shop 2.5 could do with an image. I mean, no lay­ers yet, which is real­ly hard to believe, but my ini­tial brush with Pho­to­shop was indeed pure mag­ic. I sup­pose this is the new ver­sion of that mag­i­cal feel­ing.

It’s easy to imag­ine many nefar­i­ous ways to weaponize deep­fake videos. One of the last­ing bits that made an impres­sion on me was a com­ment Boston Uni­ver­si­ty Law Pro­fes­sor Danielle Cit­ron made regard­ing the stance one takes on deep­fakes. How do we deal with them, do we ban them? She illus­trates with a metaphor—a kitchen knife.

A knife is real­ly safe and won­der­ful when you use it in the kitchen to cut up a chick­en you’re going to roast but it’s actu­al­ly a prob­lem when you use it to stab some­one.

—Danielle Cit­ron

A lot of these projects do a great job of illus­trat­ing new con­cepts and tech­nolo­gies, which isn’t always an easy task. I think the log­i­cal next step would be to bet­ter edu­cate read­ers on how deal with the incom­ing deep­fakes. How to we become more “media savvy,” for lack of a bet­ter term? Though all com­mu­ni­ca­tion demands a degree of crit­i­cal think­ing, video and film are arguably the most effec­tive in con­vey­ing a mes­sage. Maybe because it hits two of our sens­es, sight and sound, or pos­si­bly due to the pas­sive man­ner in which we con­sume it—it’s the lazi­est media to con­sume. Sure, there’s a pol­i­cy angle too, but cor­po­ra­tions and gov­ern­ments have thus far been incon­sis­tent, or neg­li­gent, in address­ing the mat­ter. In many cas­es, these bureau­cra­cies are the actu­al per­pe­tra­tors. I’d put more stock into empow­er­ing peo­ple with the tools to under­stand what’s going on in front of their eye­balls, I’m just won­der­ing where the tools are. Oh, wait, they’re here:

Art instal­la­tion in Ams­ter­dam

To bring it back to a hap­py place, the project was exhib­it­ed in a few cities, includ­ing Ams­ter­dam. The press kit fea­tures an image of a re-cre­at­ed late-1960s liv­ing room which is dyn-o-mite!

To Make a Deep­fake on YouTube

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  1. DelVis­cio, Jef­fery. “A Nixon Deep­fake, a ‘Moon Dis­as­ter’ Speech and an Infor­ma­tion Ecosys­tem at Risk.” Sci­en­tif­ic Amer­i­can, 20 Feb. 2024, www.scientificamerican.com/video/a‑nixon-deepfake-a-moon-disaster-speech-and-an-information-ecosystem-at-risk1/. ↩︎
  2. Bur­gund, Francesca Panet­ta and Halsey. “In Event of Moon Dis­as­ter — Home.” In Event of Moon Dis­as­ter, moondisaster.org. ↩︎
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